Illustrating the authors’ texts are more than 300 of the most important works of the century, many reproduced in full color. Most of my last yr has been reading this book. Excellent, skewed, and trendy- what any contemporary art history book should be. It contains great reference material, is a great starting point for paper topics, has great summaries of famous people, is simply a beautiful book with beautiful illustrations and interesting writing . A very well-done pile of art-historical “puzzle pieces” rather than an attempt at rigid chronology, this enjoyable if often biased postmodernist-agenda-driven book should not be one’s ONLY art history guide, but it should be respectfully consulted. I cannot begin to impart the knowledge contained herein.
- This third edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art.
- Good collection of modern artworks but man the writers love to hear themselves talk.
- Illustrating the authors’ fine texts are more than six hundred of the most important works of the century, most reproduced in full colour.
- In their insightfulintroductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study.
- And if I read another paragraph of Freudian analysis like some of those found herein, I am going to need therapy.
- Goodreads helps you keep track of books you want to read.
- I loved Phil Klay’s first book, Redeployment , so Missionaries was high on my list of must-reads when it came out in October.
Here’s a brief list of some of the best books we read here at Task & Purpose in https://arturjanosz.pl/ the last year. Send an email to and we’ll include it in a future story. Good collection of modern artworks but man the writers love to hear themselves talk.
In other words, this book could make you smarter , but at the cost of developing a strong aversion to academic blathering. But that doesn’t mean the work is without problems. Au contraire, I found that the biases toward one school or another sometimes overwhelmed the analysis and even overshadowed and occluded the art itself. This was especially true in the essays where Freudian analysis was given so much emphasis that the essays turned into pastiches of their own intellectual position. The Marxist analysis came in a close second place in its ability to obfuscate the works themselves.
Please Verify You Are A Human
Illustrating the text are reproductions of almost eight hundred of the canonical (and anti-canonical) works of the century. A five-part introduction sets out the methodologies that govern the discipline of art history, informing and enhancing the reader’s understanding of its practice today. Two roundtable discussions consider some of the questions raised by the preceding decades and look ahead to the future. Background information on key events, places and people is provided in boxes throughout, while a glossary, full bibliography and list of websites add to the reference value of this outstanding volume. In their insightfulintroductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study.
Art Since 1900: Volume 1: 1900 To 1944; Volume 2: 1945 To The Present
Goodreads helps you keep track of books you want to read. Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex. Preventing Silent Heart Disease PDF All Ebook Audiobook – by Harold L. Karpman M.D. I have now gotten to the 1970s w/Haacke, Broodthaers, et al. No community reviews have been submitted for this work.
Book Detail :
This could easily fill a two-semester university course, especially if one were to read the ancillary readings in the suggested reading lists contained at the end of each chapter. I was a humanities major as an undergrad, and would have loved to have had this book as a reference. Modernism and post-modernism got short-shrift in my studies.
Art Since 1900: 1900
The introduction of new media , as well as the intentional anachronisms introduced into modern art muddle the picture. Also, the intentional subversion of art itself and its presentation, especially from the 1970s onward, served to tie any linearity up in Gordian knots. Anyone with a love for modern art should purchase it. It’s well-organized and get be read at a leisurely pace. I would definitely recommend the two volume format.
Art Since 1900 Images
Yes, we touched on some of the major movements (Cubism, Expressionism, The Vienna School, Bauhaus, Futurism, etc.), but this volume delves much deeper, especially on the level of academic analysis, than we were ever able to get in my undergraduate years. Groundbreaking in both its content and its presentation,Art Since 1900has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art. It provides the most comprehensive critical history of art in the twentieth and twenty-first centuries ever published. Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art.
In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the 20th and 21s centuries, an age when artists have sought constantly to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors’ fine texts are more than six hundred of the most important works of the century, most reproduced in full colour. In their perceptive introductions, the four authors set out and explain the different methods of art history at work in the book, providing the reader with the conceptual tools to further his or her own study. Two roundtable discussions – one at mid-century, the other at the close of the book – consider some of the questions raised by the preceding decades and look ahead to the art of the future.